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TRACK

Sat, Oct 26

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Freiburg im Breisgau

DANCEPERFORMANCE OF EMI MIYOSHI & SHIBUI COLLECTIVE TRACK, the new piece by Freiburg choreographer Emi Miyoshi & SHIBUI Collective, explores the action of walking through dance and plays with the deconstruction of familiar systems and patterns.

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TRACK
TRACK

Time & Location

Oct 26, 2024, 8:00 PM – 9:00 PM

Freiburg im Breisgau, Eschholzstraße 77, 79106 Freiburg im Breisgau, Germany

About

Duration: approx. 45 minutes

With

Artistic direction, choreography in collaboration with the dancers: Emi Miyoshi Dance: Anna Kempin, Marcella Centenero, Daniel Conant Dramaturgy: Monica Gillette Project management: Anna Kempin Stage, costumes: Domitile Guinchard Music: Joel Beierer Lighting: Corinne Werffeli Photo, video: Marc Doradzillo Press relations: Christine Eyssel Social media: Ida Biegel

A co-production with E-WERK Freiburg and Theater Freiburg

Funded by the City of Freiburg and the Landesverband Freie Tanz- und Theaterschaffende Baden-Württemberg e.V. with funds from the Ministry of Science, Research and the Arts of the State of Baden-Württemberg, with the special support of the dance department of Theater Freiburg. 

After Emi Miyoshi and the SHIBUI collective continued their long-standing research interest in polyrhythmic spaces in S_HE IS SEA Etude (premiere 13.03.2024, E-WERK Freiburg), the Freiburg choreographer devotes her new production TRACK to the exploration of walking. The piece plays with the deconstruction of a familiar system by breaking down walking into its components, changing their natural sequence and providing them with new points of gravity and reference. The step as an uncoordinated falling and rearing up again evokes a forward movement with previously unfamiliar dynamics and rhythms. An individual pattern becomes recognizable, which the performers develop further in the course of the choreography, towards a progression of advancement. The question of “how” is explored physically and through dance. As the three dancers (Anna Kempin, Marcella Centenero, Daniel Conant) relate to each other, a network of new spaces and points of reference gradually emerges, offering support and orientation. The interplay between the varying steps, the rhythm visualized in the stage set and the musical soundscape creates a polyrhythmic space.

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